Frontier Zones 2020 Spring School in Tunis
Introduction: Working with Sound in Urban Environments
The Bloomsbury Handbook of Sound Art
… opens the concept of sound art to popular sound cultures, gender discourses, technical and media culture, postcolonial transformations, political actions and reflections, institutional critique, sonic fiction and much more.
Lecture: Kraftwerk & Stockhausen. The History of German Electronic Music
On March 5th, Prof. Dr. Rolf Großmann and Dr. Malte Pelleter will give a talk about the history of German electronic music. The event will take place in Tunis at the B7L9 Art Station. The lecture will be held in English.
Installation: Affected Soundscape
“Let coincidence run wild and be part of a morphing soundscape.” On February 14 and 15, the sound installation entitled ‘Affected Soundscape’ was exhibited at Künstlerhaus FAKTOR (Hamburg/Sternbrücke).
The New Norient Space
The new Norient Space is announced for spring 2020. It will be a platform for thinkers* and musicians*, an archive and an audio-visual gallery that combines art, journalism and science. Until the relaunch the beta version is freely available.
Tagung: Acoustic Intelligence 2020
From 30 January to 1 February, this year’s annual conference of the AG ‘Auditive Media Cultures and Sound Studies’ will take place at the Heinrich Heine University Düsseldorf in the Gesellschaft für Medienwissenschaft (GfM).
Symposium: Transcultural Practices in Postmigrant Theatre and School
– Method Mixing as Transmission – The aim of this symposium is to reflect on the methodology for the analysis of transcultural practices that was developed in this project and to discuss its relevance in current academic and socio-political discourses around migration and aesthetic formation and education.
Workshop mit David Stoltzenberg
In the context of the seminar “Vocal Production Techniques” a workshop with David Stoltzenberg took place on 10.1. from 4 to 8 pm in our studio in C11.215. He is not only the bass player of the band “Pool”, but also active as producer and author in various other music productions. An overview of his work can be found on Discogs.
Conference “Music in the Disruptive Era: The Digital, the Internet, and Beyond”
The meeting was held in Lucca, Italy, from 14.12.-16.12.2019. The conference focused on the role and impact of the internet on musical practices.
WORKSHOP WITH NITAY FEIGENBAUM
The workshop took place on 10 December 2019 as part of the seminar “Sound, Space, Movement. Design of interactive sound objects and installations” took place. Nitay presented his project Drawbeat, which he presented at Klangstärke 18 in Hildesheim.
Leuphana teaching award for Katha Alexi
One of this year’s Lehrpreise goes on 6.11.2019 to the ((audio)) Team member Katha Alexi for the seminar “After Cyberfeminism the Hashtag? From Sadie Plant to #metoo and back”.
ARK in the Johann Jacobs Museum
From September to November 2019 the installation of Arkestrated Rhythmachine Complexities can be seen and heard at the Johann Jacobs Museum in Zurich. The installation was developed by Johannes Ismaiel-Wendt, Sebastian Kunas and Malte Pelleter 2018 as part of the exhibition Mobile Welten at the Museum für Kunst und Gewerbe, Hamburg. It consists of 10+…
Artist Lecture: Tamaki Watanabe & Walter Zurborg
The artists* Tamaki Watanabe and Walter Zurborg will be guests at Leuphana University on 5.11.2019 to talk about their work. You can get an impression of the duo’s sound installations on their Website. Her latest work the landing of the ants is not exhibited by chance in the Hanoverian “Galerie vom Zufall und vom Glück”.…
New ((audio)) Website
Our website is getting on in years and now finally online on a technically up-to-date platform and with a new design. Since there are no brackets as web addresses, we have replaced our audio waves (()) in the URL with the lower case letter l. Simpler than audio.uni-lueneburg.de and easy to remember! The old website…
Instrumentality meets Materiality
Joint workshop of the research group “Materiality of Musical Instruments”, Deutsches Museum Munich and the department “((audio)) Aesthetic Strategies” at the Institute for Culture and Aesthetics of Digital Media (ICAM), Leuphana University Lüneburg.
Calculated Sounds – Sequencing, Beat-Making, Live Coding
Summer academy of the Max Weber Program: “Music is not anchored in emotional regions, but in structure and form. And their notation has to do with calculation…”