The workshop took place on 10 December 2019 as part of the seminar “Sound, Space, Movement. Design of interactive sound objects and installations” took place. Nitay presented his project Drawbeat, which he presented at Klangstärke 18 in Hildesheim.
One of this year’s Lehrpreise goes on 6.11.2019 to the ((audio)) Team member Katha Alexi for the seminar “After Cyberfeminism the Hashtag? From Sadie Plant to #metoo and back”.
Unsere Website ist in die Jahre gekommen und nun endlich auf technisch aktueller Plattform und mit neuem Design online. Da es als Webadresse keine Klammern gibt, haben wir unsere Audio-Wellen (()) in der URL durch den Kleinbuchstaben l ersetzt. Einfacher als audio.uni-lueneburg.de und leicht zu merken! Die alte Website bleibt zunächst als Archiv erhalten und…
From September to November 2019 the installation of Arkestrated Rhythmachine Complexities can be seen and heard at the Johann Jacobs Museum in Zurich. The installation was developed by Johannes Ismaiel-Wendt, Sebastian Kunas and Malte Pelleter 2018 as part of the exhibition Mobile Welten at the Museum für Kunst und Gewerbe, Hamburg. It consists of 10+…
The artists* Tamaki Watanabe and Walter Zurborg will be guests at Leuphana University on 5.11.2019 to talk about their work. You can get an impression of the duo’s sound installations on their Website. Her latest work the landing of the ants is not exhibited by chance in the Hanoverian “Galerie vom Zufall und vom Glück”.…
Our website is getting on in years and now finally online on a technically up-to-date platform and with a new design. Since there are no brackets as web addresses, we have replaced our audio waves (()) in the URL with the lower case letter l. Simpler than audio.uni-lueneburg.de and easy to remember! The old website…
Joint workshop of the research group “Materiality of Musical Instruments”, Deutsches Museum Munich and the department “((audio)) Aesthetic Strategies” at the Institute for Culture and Aesthetics of Digital Media (ICAM), Leuphana University Lüneburg.
Summer academy of the Max Weber Program: “Music is not anchored in emotional regions, but in structure and form. And their notation has to do with calculation…”
by Magdalena Lanman Niese
“We believe that we are able to totally control the sound and structure of music with the help of digital technology and its possibilities. One may think we can control musical structures (…). But this control is not manageable. The musical artefact which is created goes beyond the digital because it is not constricted (…).”
